In the beginning Postspectacle was a reaction, an empty concept, just a vague intention to escape the general atmosphere, a desire to move forward from the spectacle. Nobody knew what Postspectacle could be. All started from the question: what’s the point as artists to add another spectacle to the art world when we are living in a generalized spectacle? A practice started to emerge around this question, and consisted in bringing the "outside spectacle" to art spaces. For instance we invited the Romanian Army to host a dance workshop and perform a drill show in the black box at CNDB. A second practice that we developed was to use our performing skills and knowledge on the big stages of mass media, business and politics. To infiltrate these environments and introduce some reflection about the respective frames, a sort of damaging self-reflection.